The eNotes Blog How to Study for a Test on a LiteraryWork

How to Study for a Test on a LiteraryWork When being tested on a literary work, you are demonstrating your understanding of a text. What your teacher or professor looks for in a literary examination is your comprehension of various literary elements. When studying for a test on a literary work, focus on the details and devices employed by the author rather than rereading the whole work again. Before you start, gather any notes, activities, or guides that may be useful to review. Let’s look at 11 tips designed to help you prepare for a test on a literary work. 1. Read the entire work Do not wait until the last minute to read what you’re being tested on. You probably won’t have time to reread all the material you will be expected to know. Therefore, allow yourself enough time to process what you have read and ask your teachers any questions before you start studying. By the time you’re ready to study, you want to have a basic understanding of the text   so that you can spend more time reviewing specific details and literary devices that may appear on the test. 2. Create an outline Create an outline of the plot that highlights the rising action, the climax, and falling action of the story. This will be a handy reference while you study so that you can keep track of the series of events and what characters are involved. For example, in Shakespeare’s Romeo and Juliet, the rising action is the meeting of the young lovers, the climax is their mutual deaths, and the falling action is the realization by all involved that they too were responsible for the lovers’ tragedy. 3. Note the characters’ roles Start by identifying the protagonist(s) and antagonist(s) of the story. The protagonist is the leading character in a literary work. She is the advocate or champion of a particular cause or idea. The antagonist is the main character’s chief opponent. Both of these characters will have different objectives and it’s important to know who they are and what they want. For example, in Nathaniel Hawthorne’s The Scarlet Letter, Hester Prynne is the protagonist and Roger Chillingworth is the antagonist. Chillingworth is the main impediment to Hester Prynne’s happiness. He represents the stern moral values of Puritanism, whereas Hester relies on her own internal moral compass and her personal relationship with God. Once you’ve identified the protagonist and antagonist, you should make a note of any other major or minor characters that influence the plot. In literary works with a bunch of characters, like Shakespeare’s plays, there’s often a character list at the beginning of the text. It may be useful to create a character map or list that showcases the characters’ relationship throughout the text. 4. Identify major conflicts Most plots center around a conflict that is internal or external. Conflict can enhance the readers’ understanding of specific characters and what drives the storyline. There is often more than one type of conflict taking place at the same time. The four major types of conflict include: Person versus Person One character against another Person versus Nature Character(s) against the forces of nature Person versus Society Values and customs of the majority being challenged by an individual Person versus Self A character with an internal conflict For example, in William Golding’s The Lord of the Flies, we have several different conflicts happening at the same time. Ralph and Jack continually engage in conflict throughout the novel. Ralph is initially elected as the leader of the boys and attempts to establish a civil society on the island; Jack, on the other hand, opposes Ralph and gains support from other boys on the island who want to hunt and rest rather than completing necessary tasks. Although these characters may oppose each other, both of these boys are also in conflict with nature. Trapped on an uninhabited island, all of the boys are forced to build shelters and find food in order to survive. 5. Detect what actions develop from conflict Most plots center around conflict; therefore, it’s important to understand the motivation behind the action and how it influences the rest of the story. For example, Arthur Miller’s The Crucible is a good example of conflict that propels action. When a group of young girls is caught doing improper things in the woods, they try to cover their tracks by accusing people of witchcraft. Their conflict leads to the witch trials depicted in the play. 6. Determine if the characters achieve their goals You need to know what the major characters set out to do in the beginning of the text and if they achieved their goals by the resolution. However, this may not always be obvious. Hamlet, for example, does achieve the mission given to him by the ghost of his father, but determining his overall success is a more contentious matter. Yes, his mother and uncle pay with their lives, but so too do Ophelia, Laertes, Polonius, and Hamlet himself. 7. Take note of the structure Revisit your initial outline of the text. The structure of the text may not always be in chronological order because many works will purposely present events out of sequence or work backwards. One example of events taken out of sequence is William Faulkner’s story â€Å"A Rose for Emily,† which begins with her funeral, jumps to her early life, her later life, and then the discovery of her deed and death. The structure of the plot is a deliberate choice made by the author, therefore you should always consider why a story is told in the format that it is. 8. Identify patterns within the text Patterns often lead to a critical climax or resolution of the plot. For instance, one symbol might give you an idea of where the plot is going, but repeated events and symbols, or motifs, can foreshadow and add thematic depth to the plot. For example, the character of Willy Loman in Death of a Salesman constantly repeats that he wanted more than anything to be â€Å"well-liked.† Because he mentions this so often, readers gain insight into Willy’s extreme lack of self-confidence. 9. Make note of symbols Symbolism is a person, place, or object which has a meaning in itself but suggests other meanings. Things, characters, and actions can be symbols. Note here that symbols are deliberately open to a reader’s interpretation, so carefully consider the context in which they appear. For example, if a color is repeated or particularly associated with a character, think about what it might mean. In Charlotte Perkins Gilman’s â€Å"The Yellow Wallpaper,† yellow can be viewed as symbolic of the narrator’s sickness, like jaundice. In Nathaniel Hawthorne’s â€Å"Young Goodman Brown,† Faith’s pink ribbon can be interpreted as representing her innocence. 10. Consider the work’s historical and cultural context You should always put the characters actions and thoughts in context and refrain from making contemporary judgments about the past. For example, if you are reading Charles Dickens’s A Christmas Carol, it would be helpful to know something about the realities of poverty in London in the 1800s. What’s more, it’s also helpful to know that telling ghost stories around Christmas time used to be a popular tradition in 19th-century England. Seeking an understanding of the historical context will help you determine if the author is criticizing society through the depiction of its values and characters. In addition, many authors use allusion, a literary device, in their words to provide references and hints to their cultures and historical contexts. 11. Review your study materials At this point, you have revisited all major aspects of the text and hopefully feel like you have grasped its overall meaning. Whether you choose to make notecards, take a practice test, or swap questions with your classmates, it’s a good idea to actively engage with your study materials until you feel confident enough to address it on the test. If there are still some points that seem unclear, focus your attention on finding those answers rather than spending your time on material you already know. Whatever you do, don’t wait until the day before to review for your test. Allow yourself enough time to rest and relax before your test so that you can perform to your greatest potential. If you’ve read the literary work and reviewed your study materials, you’ll do just fine! For more how-to lesson, visit How To Series.

Quotes from Poets About Death

Quotes from Poets About Death Its difficult to know what to say when trying to comfort someone who has suffered the loss of a loved one. But death is part of the human condition, and there is no shortage of literature about death and dying. Sometimes it takes a poet to give us perspective on the meanings of life and death. Here are some famous, and hopefully comforting, quotes about death from poets and writers that would be appropriate when offering condolences. William Shakespeare Quotes About Death And, when he shall die, Take him and cut him out in little stars, And he will make the face of Heaven so fine That all the world will be in love with night And pay no worship to the garish sun.- From Romeo and Juliet Loves not Times fool, though rosy lips and cheeksWithin his bending sickles compass come;Love alters not with his brief hours and weeks,But bears it out even to the edge of doom.-    From Sonnet 116 Cowards die many times before their deaths; the valiant never taste of death but once.- From Julius Caesar To die, to sleepTo sleep: perchance to dream: ay, theres the rubFor in that sleep of death what dreams may comeWhen we have shuffled off this mortal coil,Must give us pause: theres the respectThat makes calamity of so long life. - From Hamlet Quotes About Death from Other Poets Be near me when my light is low... And all the wheels of being slow. -   Ã‚   Alfred Lord Tennyson Because I could not stop for death, He kindly stopped for me; The carriage held but just ourselves and immortality.-    Emily Dickinson Death comes to all. But great achievements build a monument which shall endure until the sun grows cold. -    George Fabricius Death gives us sleep, eternal youth, and immortality.-   Jean Paul Richter Death is a commingling of eternity with time; in the death of a good man, eternity is seen looking through time.-   Johann Wolfgang Von Goethe He who has gone, so we but cherish his memory, abides with us, more potent, nay, more present than the living man.-   Antoine de Saint Éxupà ©ry Do not stand at my grave and weep.I am not there; I do not sleep.I am a thousand winds that blow.I am the diamond glints on snow.I am the sunlight on ripened grain.I am the gentle autumn rain. When you awaken in the mornings hushI am the swift uplifting rushOf quiet birds in circled flight.I am the soft stars that shine at night.Do not stand at my grave and cry;I am not there; I did not die.- Mary Elizabeth Frye Where you used to be, there is a hole in the world, which I find myself constantly walking around in the daytime, and falling in at night.-   Edna St. Vincent Millay Though lovers are lost, love shall not. And death shall have no dominion.  - Dylan Thomas